What’s with this main character going on a really tone-deaf fat-shaming spiel? Well, she’s not in Mobius because she was a saint, of course. Especially personal drama.Īt a stretch, this emphasis on emotional troubles feels like a ready-made justification for many of the game’s more troublesome elements. Along the way, they’ll find out they have more in common than they realize, like a shared fondness for flower-themed accessories and personal drama. Standing in their way are the Ostinato Musicians, μ’s elite squad of composers determined to protect the status quo and keep anyone from getting out. The exceptions are the player, and his companions in the Go-Home Club, a passel of teens who can see Mobius for what it is and are determined to return to the real world. That’s pretty much the setup, though the virtual idol in question here is called μ (pronounced “Myu”), and the Matrix is “Mobius”, a place where everyone, young or old, male or female, fat or thin, manifests as their ideal self, which just so happens to be an attractive high schooler. Then, imagine what would happen if she decided that the best way to go about things would be to kidnap everybody and put them in the Matrix – for their own good, of course. Indeed, the premise of The Caligula Effect would remind anime fans of a more sci-fi take on Angel Beats! For those lacking that particular touchstone, imagine what would happen if virtual idol Hatsune Miku pulled a Sharon Apple, and became sentient. Within minutes, the unnamed protagonist is clued into the fact that not all is right with his world. If nothing else, no one’s pretending the bury the lede, here.
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